![]() ![]() Ducking one audio source when a second source kicks in.Checking volume levels before you record.Capturing a chat from Zoom, FaceTime, and other voice-over-IP apps.Scheduling when your Mac should record something automatically.Setting up reusable sessions with Audio Hijack’s Audio Grid interface.Recording literally any audio played on your Mac.It also explains how to turn an audio file into a ringtone and-podcasters and educators take note!-how to make a chapterized AAC file.Īs far as recording goes, you’ll find help with: The Fission chapter has directions for trimming, cropping, adding, replacing, splitting, and fading audio. And you’ll learn how to use Audio Hijack as a powerful tool for live streaming or broadcasting. You’ll also discover special features such as reusable sessions, recording to more than one file (and format) at once, scheduling recordings, time shifting during live playback, effects like ducking and panning, adding automatic metadata before recording, and more. For example, by boosting the volume or tweaking the bass-movies on Netflix never sounded better! You’ll learn how to pipe sound through Audio Hijack to enhance its quality without recording. Kirk also helps you edit recordings in Rogue Amoeba’s Fission audio editor. Audio expert Kirk McElhearn provides instructions for setting up common scenarios-recording audio playing in Safari, capturing Zoom and FaceTime calls, digitizing your old LPs, extracting audio from concert DVDs, and working with mics and mixers, and much more. Learn how to use Rogue Amoeba’s Audio Hijack version 4 to capture and enhance any audio playing on a Mac. I find that Farrango is great as a sound board with a few extra sounds from to add precanned sound effects to any call.Take Control of Audio Hijack, 2nd Edition After some use of this and particularly the vocal gain control, I added an additional processing element (Volume) within Audio Hijack to slightly boost the audio post all of the processing.įinally, I use Loopback for wiring my Audio Hijack output to Zoom and to also link Farrango to Zoom. These further clear up any excessive sibilance, general noise, and dynamically control my vocal gain. Specifically these are: DeEsser (s), NS1 (s), and Vocal Rider Live (s). Within the Audio Hijack processing chain, I’ve added a number of plugins from Waves Audio to further process the audio. This is then sent to a ZoomOutputDevice from within the application. I use the following processing elements: Declick, Dehum, AUHighShelfFilter, AUPeakLimiter, and AUMultiBandCompressor. ![]() I use Audio Hijack to further process the audio output from Krisp. It has ‘learnt’ many different noises and fairly seamlessly removes these from the audio input. It uses Deep Neural Networks to provide noise cancellation. In most calls, you will still have to manually select use original audio and hopefully down the line that will be might also be a default setting.įor Zoom, I use firstly use Krisp and I pipe my microphone to it as an input. These settings are really important as otherwise all the later audio processing won’t really add much quality or value to your audio for other call participants. In Zoom I use the advanced audio configuration to enable the original audio input and remove echo cancellation as well as to select a higher quality of audio. I am a huge fan of all things Rogue Amoeba, they simply make great software. I use a Rode Podcaster USB Broadcast Microphone, a PSA1 Studio Boom Arm and SMR Advanced Shock Mount for my audio hardware for calls. These details will allow anyone reading to replicate this configuration for their own conference calls. This post covers the specific details that my earlier post didn’t as I wanted to expand on my use of Krisp and how everything is setup for Zoom. It might be helpful to others and it’s really given my audio setup a lift. I wanted to write up a short post around the audio setup I am using for my day-to-day Zoom Calls. ![]()
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